There’s something quite cathartic about hearing the opening notes of Les Misérables blast from the orchestra pit as the house lights dim and the stage brightens for what is set to be one almighty and powerful performance.
Opening with a strong chorus number and moving swiftly into ex-convict Jean Valjean (Simon Gleeson)’s ‘Soliloquy’, the musical is quick to establish its stirring and profound presence. The scene transitions are smooth and purposeful, and in no time at all the audience is transported from 1815 Digne to 1823 Montreuil-sur-Mer, where everything truly comes to life with the first major company number, ‘At The End Of The Day’.
On the whole, the production design is clean-cut and classic, with a beautifully made set and costumes that give vivid depictions of the characters and the world they inhabit. Often, the performances are set against projected backdrops that are somewhat reminiscent of the work of French Impressionist painters. On occasion, the backdrops spring to life into high-tech animated scenes that are designed to give a sense of movement, such as when Valjean runs through the sewer tunnels. This, although impressive, can be a little bit distracting and detracts from the authenticity of the rest of the production design.
Of course, the performances throughout the musical are nothing short of spectacular. Gleeson’s Valjean is heartfelt and true, and he maintains a strong chemistry with antagonist Javert, portrayed by Hayden Tee. Patrice Tipoki gives an honest and powerful rendition of ‘I Dreamed A Dream’ as Fantine, her voice meandering carefully between feelings of conflict, pain and innocence. Kerrie Anne Greenland claims the stage as Éponine with ‘On My Own’, as does Chris Durling as Enjolras. For a bit of comic relief, Lara Mulcahy and Trevor Ashley give it their all as the Thénardiers, their performances of ‘Master Of The House’ and ‘Beggars At The Feast’ receiving hearty laughs.
When it comes down to it, Les Misérables is a pure success. With its triumphant orchestral arrangement, stunning visuals and stellar performances, it is a truly moving and highly entertaining work. Just make sure you bring the tissues.
4/5 stars
Les Misérables is now showing at the Capitol Theatre.
