The music of My Disco relies on structural balance and technical precision to conjure up strong emotions and dramatic tension. The band’s first three records incorporate elements of post-punk, krautrock, drone, ambience, aggressive post-rock and the occasional vocal chant. Understandably, this amalgamation of sounds makes categorising My Disco just about impossible.
The band recently teamed up with producer Cornel Wilczek at Melbourne’s Electric Dreams studios to work on a fourth album. Ahead of a brief run of Australian shows this month, bass player and vocalist Liam Andrews speaks about the forthcoming release.
“We’ve been working on and off on music for this for the last couple of years, but we recorded it in full in December/January,” says Andrews. “And it was written in full about six months prior to that. It’s looking like it will be a late 2015 release.”
It’s been more than four years since the band’s previous effort,Little Joy. Not long after that album’s release, Andrews relocated to London. More recently, he’s been based in Barcelona, while guitarist Ben Andrews lives in Indonesia and drummer Rohan Rebeiro remains in Melbourne.
“I think creatively it was nice to be apart and to do a few other things in life,” says the frontman. “We did feel quite refreshed when we commenced writing this record, which was literally done in the space of two or three months. It’s quite amazing how the three of us are on the same page as to what is and what is not working.”
The band’s renewed enthusiasm hasn’t exactly given rise to a brighter sonic palette. On the contrary, the songs on the forthcoming album have been flagged as slower, heavier and darker than anything My Disco have done previously.
“From the people I’ve played them to, it’s been taken as quite intense and rather bleak,” Andrews says. “Listening back to the mixes, it’s feeling relevant to the record we wanted to make. Quite often you go into an album with songs and an idea of how you want them to sound, but it might not quite get there. But working with Cornel on this, we’ve had great help from him in terms of the production.”
There’s no shortage of things that could inspire bleak artistic works; just a quick glance at the news headlines will do it, or perhaps the changes in the band members’ personal lives coincided with patches of vulnerability or depression. However, Andrews says the slower, heavier sound emerged without much planning.
“We played around with writing
and experimenting with other ideas, but then it just quite naturally came around to this. It’s still very rhythmic and repetitive, but there’s a lot more space and ambience in the guitars and a much darker sound across the board. It might reflect a lot of music we listen to.”
On the subject of the music they listen to, in spite of experimenting with a multitude of familiar genres, My Disco have distanced themselves from easy pigeonholing. But building such a reputation has never been the ultimate aim. “We would never [reject something] just for the fact that might be a conventional sound or riff or rhythm,” Andrews says. “If it suits and works for what we’re trying to accomplish, then I have no problem with that.”
My Disco will premiere material from the forthcoming album at Sydney’s Goodgod Small Club next weekend. “It will be all the new music from the new record,” Andrews says. “Everything before it is well past its use-by date for us to be performing. Something we’ve always done as a band is to keep moving from relevant music to the next. We’re creating a mood when we perform and trying not to break that concentration of sound.”
My Disco play Goodgod Small Club on Friday June 26 with Cale Sexton.




