Star of ‘The Batman,’ Robert Pattinson, details what villains he wants to face next and how they would work in a potential sequel.
March 4th, 2022 will mark a new era in the legacy of Batman, as director Matt Reeves and Warner Bros. are set to bring a whole new approach to the big screen in regards to Gotham City and the Batman mythos as a whole. Reeves looks to deliver inspired by noir films and play more on the detective aspect of Batman, as Pattinson shifted Batman’s gears to bring out a hyper-violent and troubled side of the caped-crusader.
Pattinson’s portrayal can already be confirmed from what we’ve seen of Batman in the trailers leading up to the movie’s release, as we’ve seen him dealing out critical damage to street levels thugs whom we know frighteningly little about. This excited new portrayal of Batman as a damaged person addicting to vengeance has Pattinson excited, almost giddy, at the possibilities of the character in potential sequels.
There has been no word from WB on any sequels but that doesn’t stop Pattinson from explaining who he would like to face off against in an interview with Den of Geek.
Pattinson’s Rogues
“I’d love to do something like Court of Owls,” Pattinson said, referring to the 2011 DC Comics horror story about a hidden society secretly ruling over Gotham’s coming-and-goings from an underground labyrinth, which they had done for centuries.
The immediately iconic storyline was created by the duo Scott Snyder and Greg Capullo, who introduced a new era of Batman stories, taking Bruce Wayne to the darkest corners of Gotham. The story introduces certain elements of horror that Robert Pattinson feels The Batman already leans into that future installments could borrow further, “There are elements which are kind of horror and I think it really feels quite new for Batman.”
The other villain who Pattinson finds particular interest in is Calendar Man, a serial killer with an obsession on tying his crimes to particular dates and holidays that is reminiscent of real life sociopaths such as the Zodiac Killer.
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In partnership with Grill Mates and Stubb's BBQ Sauce.
There’s something unmistakably raw about William Crighton. It’s there in his voice—deep, cracked, like bark peeling from a eucalypt—and in the stories he tells, steeped in red dirt, rolling hills, and river ghosts. But beyond the music, there’s another side to Crighton that’s just as grounded in the Australian bush: cooking.
To him, the fire pit and the fretboard aren’t all that different. “I approach music similar to how I approach cooking ,” he says, “which is, I don't know too much, and going back to that childhood curiosity and wonder.”
Bush Songs and Backyard Smoke
Crighton’s music is often shaped by time spent in nature—walking through scrubland, sitting by creeks, or staring into campfire flames. His songs are rooted in place, and so is his food. He’s not about complicated recipes or kitchen gadgets; his ideal cooking set-up is a cast iron grill over coals, a sharp knife, and the open sky.
“There’s something about the bush that strips things back to what matters,” he says. “It’s the same with cooking. When you’re out there, it’s just you, the fire, and whatever you’ve got on hand. That’s where the magic is.”
And while Crighton’s approach is humble, it’s far from bland. A believer in bold, honest flavour, he’s quick to call out two essentials in his campfire toolkit: Grill Mates seasoning and Stubb’s BBQ Sauce.
“I’m not a chef, but I know what tastes good,” he laughs. “Grill Mates have that smoky hit that just works with anything—lamb chops, kangaroo, even a grilled zucchini. And Stubb’s? That stuff’s got soul.”
Smoke and Soul
For Crighton, cooking is more than just survival—it’s ceremony. Whether he’s on tour or out bush with his family, there’s a rhythm to it. Gather wood. Light the fire. Let it burn down. Season the meat. Cook it slow. Sit, talk, eat, listen. It’s the same process as writing a song, he says. “You don’t rush it. You let it build. You taste as you go.”
That sense of time, patience, and presence defines both his music and his meals. There’s no room for distractions when you're working with fire and feeling your way through a song. It’s tactile. Sensory. Honest.
“A little bit of not knowing, that's where the best s*** comes,” he says. “Too much heat, too much spice, too many words—it’ll burn out or fall flat. But when you hit it just right? It’s unforgettable.”
Music, Meat, and Meaning
Ask Crighton about the perfect cook-up, and he won’t talk about sous-vide machines or reverse searing. He’ll talk about standing barefoot in the dust, his guitar nearby, kids running around, a bit of Stubb’s soaking into a thick ribeye as the sun drops low.
It’s not just about what’s on the plate—it’s who you’re sharing it with, what the day’s been like, what you’re listening to Will tells us. "Food and music are both about creating a moment. That’s the stuff people remember.”
As his songs continue to resonate around the world, from the stages of Nashville to the paddocks of New South Wales, William Crighton remains committed to that core philosophy: stay grounded, keep it simple, and always cook with heart.
Because whether he’s crafting a haunting verse or searing a steak, Crighton knows—the good stuff happens when you let the fire do its thing.
In partnership with Grill Mates and Stubb's BBQ Sauce.
There’s something unmistakably raw about William Crighton. It’s there in his voice—deep, cracked, like bark peeling from a eucalypt—and in the stories he tells, steeped in red dirt, rolling hills, and river ghosts. But beyond the music, there’s another side to Crighton that’s just as grounded in the Australian bush: cooking.
To him, the fire pit and the fretboard aren’t all that different. “I approach music similar to how I approach cooking ,” he says, “which is, I don't know too much, and going back to that childhood curiosity and wonder.”
Bush Songs and Backyard Smoke
Crighton’s music is often shaped by time spent in nature—walking through scrubland, sitting by creeks, or staring into campfire flames. His songs are rooted in place, and so is his food. He’s not about complicated recipes or kitchen gadgets; his ideal cooking set-up is a cast iron grill over coals, a sharp knife, and the open sky.
“There’s something about the bush that strips things back to what matters,” he says. “It’s the same with cooking. When you’re out there, it’s just you, the fire, and whatever you’ve got on hand. That’s where the magic is.”
And while Crighton’s approach is humble, it’s far from bland. A believer in bold, honest flavour, he’s quick to call out two essentials in his campfire toolkit: Grill Mates seasoning and Stubb’s BBQ Sauce.
“I’m not a chef, but I know what tastes good,” he laughs. “Grill Mates have that smoky hit that just works with anything—lamb chops, kangaroo, even a grilled zucchini. And Stubb’s? That stuff’s got soul.”
Smoke and Soul
For Crighton, cooking is more than just survival—it’s ceremony. Whether he’s on tour or out bush with his family, there’s a rhythm to it. Gather wood. Light the fire. Let it burn down. Season the meat. Cook it slow. Sit, talk, eat, listen. It’s the same process as writing a song, he says. “You don’t rush it. You let it build. You taste as you go.”
That sense of time, patience, and presence defines both his music and his meals. There’s no room for distractions when you're working with fire and feeling your way through a song. It’s tactile. Sensory. Honest.
“A little bit of not knowing, that's where the best s*** comes,” he says. “Too much heat, too much spice, too many words—it’ll burn out or fall flat. But when you hit it just right? It’s unforgettable.”
Music, Meat, and Meaning
Ask Crighton about the perfect cook-up, and he won’t talk about sous-vide machines or reverse searing. He’ll talk about standing barefoot in the dust, his guitar nearby, kids running around, a bit of Stubb’s soaking into a thick ribeye as the sun drops low.
It’s not just about what’s on the plate—it’s who you’re sharing it with, what the day’s been like, what you’re listening to Will tells us. "Food and music are both about creating a moment. That’s the stuff people remember.”
As his songs continue to resonate around the world, from the stages of Nashville to the paddocks of New South Wales, William Crighton remains committed to that core philosophy: stay grounded, keep it simple, and always cook with heart.
Because whether he’s crafting a haunting verse or searing a steak, Crighton knows—the good stuff happens when you let the fire do its thing.
