★★★☆☆
Libermanis Vanessa Carlton giving up, but in the best possible way.
Whether it’s with fondness or frustration that you recall the luscious-locked gal of 2002 hammering out cascading melodies on a levitating grand piano (‘A Thousand Miles’, if it isn’t already stuck in your head), Carlton’s fifth record, Liberman, is worth a spin. Ghostly, spacious and surprisingly folky, this collection of ten tracks is notable for what it lacks. Bombastic chordal work? Nope. Belted vocals? Nada. Carlton’s not crafting another pop sensation. Rather, this is a minimalist album, infused with wispy vocals, swathes of synth and tiptoeing piano melodies, all anchored by the rhythmic tug of an acoustic guitar.
The album invites you in, as if you’re with the singer-songwriter as she pores over old diaries, reminiscing on past lovers, homes and choices. She offers advice: “As your castle crumbles down, and it will / Take it easy” (‘Take It Easy’); “That’s the way it is, love” (‘House Of Seven Swords’); “You know what you should do … The key hangs low around your neck” (‘Unlock The Lock’).
Like a delicious 35-minute nap, Liberman is dreamy and soothing. Sure, you’ll wake not recalling any remarkable lyrical or melodic moments, but you’ll be left feeling lovely and languid.
Vanessa Carlton’sLibermanis out now through Dine Alone/Universal.
